"You're influenced by who?" volume 2 - Yngwie Malmsteen

Yes campers, it is I, your elusive and seemingly eternally absent poster. I know it's been a while, and yes, I know you keep hearing me say that. I won't get into the gory details here, but since my last post we have bought our first house and moved in (we did all of this over the Christmas/New Year's holiday so to say that we were a little busy during the last couple of months is an understatement). But I digress, it is time that I add to my "You're influenced by who?" series, and volume 2 begins now:

During my early guitar playing years, I was obsessed with the idea of exposing myself to music that had good guitar music in it. This meant keeping an open mind and making an effort to listen to many different styles of music, even if it meant that I didn't "get it" at first. I also made a point of reading as much as I could about guitar and music theory in the hopes of improving myself. I'd buy all the gutar magazines of the time, which were primarily "Guitar for the Practicing Musician", "Guitar World" and "Guitar Player". Those of you younger members of the audience may not remember these magazines, as I think they're all defunct now and in fact I believe they were all "taken over" by Guitar One, but don't quote me (incidentally, those of you really young memebers of the audience should know, there used to be these things called Guitar Magazines that were printed paper pages bound together with sheet music and lessons inside as opposed to 8 million useless blogs of idiots talking about music theory (usually incorrectly)).

Anyway, one day, while reading my newest issue of one of the aforementioned "mags" I came across a full page advertisement for a new album by Yngwie J Malmsteen (by the way, the first name is pronounced "ing' vay" in case you're wondering....I did too when I first read it). The add had the cover of the album which consisted of this drawing of the mighty Yngwie shooting a dragon with fire from his guitar. In a word....awesome. Bear in mind, I was still this kid who was fascinated by Dio's imagery, so this was right in line. The album in particular was called "Yngwie J Malmsteen's Trilogy" and was apparently his third offering. I had never heard of him, but after reading several rather gushy reviews of the record, I decided it was time to head down to my local record store and buy the cassette (that's right, I said cassette, there were no CDs).

Now, Yngwie was pretty much the first person to introduce what came to be known as Neoclassical Fusion to modern rock/metal music. There is some debate as to whether or not he was the "originator" and I still say that Randy Rhoads (who I'll get to in another post) was probably ahead of him, and to a lesser degree Richie Blackmore . This style incorporated the experience, technique, theory and well history of classical music with modern rock music. It doesn't sound like it would work, but if you think about it, some of the more minor dominant movements in classical music are quite "heavy" in the same way that rock/metal can be heavy (think Brahms, or some of Beethoven's darker pieces). A piece of music in the Phrygian mode lends itself quite nicely to heavy guitar, for example. Combine this with the rigorous training and practice that a true classical guitarist must endure, and you get an inevitability like Yngwie. This guy blew all the rock guys of the time away with his sheer speed. The man played guitar so friggin' fast, you could not believe it was real. He made sweep picking and arpeggios an absolute staple of modern rock/metal (something that continues to this day). When I first heard "You don't remember, I'll never forget"  (which was the first track on Trilogy), and first, I thought it was all hype. The music was a little cliche and the keyboards were a little much, it was almost "hair metal". Around 1:07 in, Yngwie does a nice arpeggio that's just enough to make you say "did I hear that, or no?". I listened through the next verse and chorus, up to the unbelieveably predictable "guitar solo" that's always after the 2nd chorus in most rock songs (for some reason), and at its onset, I was underwhelmed. Well, after the first few legato lines, (at around 2;56) I started hearing things that I did not think could be played on guitar....no kidding. The dude could flat out smoke on guitar. It was the type of playing that made you want to break all your guitars. It made me think, "that's impossible". I could only imagine his fingers must have been an absolute blur, it was difficult to imagine. Suffice to say, each track on the record had some pretty awesome guitar work (especially Trilogy Suite OP 5 (an instrumental).

Needless to say, I went right out and bought the first 2 albums (yes also on cassette) and they were even better. If you're interested in purchasing any of his records, may I recommend his first (and best in my opinion) Yngwie J Malmsteen's Rising Force as it's mostly instrumental and absolutely full of some positively badass guitar playing. Take the listen with a few grains of salt as you have to remember, this was the last 80's and metal was king, so it's a little over the top in places, but if you can filter it out, there is some terrifying playing on that record. Now Yngwie himself is unfortunately a legendary, egocentric prick. He apparently read every piece of good press and thought it gave him a license to be a jerk. I've never met the man, perhaps thousands of people are wrong, but he certainly seems to carry himself in interviews and concert footage with an unnecessary air of arrogance. But I must admit, he turned my head and challenged me to be a better guitar player. I will not boast that I have his speed, I do not and never have. It frustrated me to not be able to "shred" like Yngwie for a few years early on, but I find speed to be but one of the satisfying elements of playing guitar, and a dynamic that (like most dynamics) is best used in a carefully measured manner and is most effective when contrasted with other elements. I must say, that if there are any beginning guitarists out there who want a real thrill, check out Yngwie's first record. It is the real deal and not this horse crap, phony baloney studio tricks/editing that some of the modern "shredder wannabe's" like Dragonforce are trying to be (yeah, I said it, they're not playing that stuff note for note at that speed, that's called digital editing, guys, increasing speed without pitch...sit them down in front of you with a guitar and try to get them to play it, it'll never happen). Yngwie, on the other hand, for all his egotism, can still tear it up. He's a little older, a little puffier than he used to be, but he's still scaring the hell out of guitar players everywhere, why not give him a whirl?